In this article, I offer a literary-critical reading of Modernity and the Holocaust, arguing that Bauman’s non-Hobbesian ethics is linked to a form of Orphic authorship. I contextualize this reading with a study of three literary authors: W.G. Sebald, Peter Weiss and Janina Bauman, and their respective versions of this post-Holocaust authorship. At stake is the drama of the forbidden gaze, the moment when Orpheus turns to look at Eurydice, killing her a second time. Using Levinas’ ethics and his scenario (...) of recognition, Bauman re-writes this fateful gaze as a loving gaze, implicitly proposing a counter-model to the Schmittian gaze — always ready to recognize the enemy, always ready to kill. (shrink)

This article deals with two different but related attempts to reinvent politics as a radical revolutionary act, made by two intellectuals from the former Soviet Bloc, the philosopher Slavoj Žižek and the East German playwright Heiner Müller. I propose to read these reinventions against the foil of Hannah Arendt's passionate plea to rethink politics by breaking with the catastrophic imaginary born in the ruined landscapes of post-fascist Europe.2 Second, I will argue that we need to keep in mind the specific (...) conditions of (post)totalitarian rule in the former Soviet Bloc. Third, and most importantly, these reinventions are haunted by the…. (shrink)